Educational Resources

Teaching genocide is challenging, yet imperative. The study of the Holocaust helps students think about the use and abuse of power, and the roles and responsibilities of individuals, organizations, and nations when confronted with human rights violations. These materials help students develop an awareness of the value of diversity in a pluralistic society and encourages sensitivity to the positions of a diversity of people. As graphic narratives can express the voices of trauma in a way that cannot be fully captured by written testimony alone, we focused on narrative art as a human rights tool in Holocaust education. This unique pedagogical approach teaches learners to be critical viewers of history and social studies content, but in a way that is approachable for a variety of reading levels. It engages learners through the stories of survivors and emphasizes the diversity of experiences of often monolith events.

Our project is committed to creating adaptable and flexible educational resources in English, French, and other languages so that teachers can feel confident and knowledgeable teaching about the Holocaust as part of the curriculum. 

The educational resources for ‘But I Live’ were developed by Dr. Andrea Webb in collaboration with students from the University of British Columbia Teacher Education Program Community Field Experience. The resources are available online and hosted by BCampus’s British Columbia/Yukon Open Authoring Platform. They are shared under Creative Commons BY-NC, and we encourage educators to share and adapt the educational resources, provided that it is not for commercial use and appropriate attribution is provided.

Please contact Dr. Andrea Webb if you are interested in other uses of the resources for various contexts.

Educational Resources:

Holocaust & Human Rights Education

The study of the Holocaust and other genocides help students think about the use and abuse of power, and the roles and responsibilities of individuals, nations, and states when confronted with issues of social justice and human rights violations.

Aligned with Global Citizenship Education and Human Rights Education, values espoused in various Canadian Social Studies curricula, the study of these events helps young people recognize prejudice, bigotry, and religious intolerance, and develop an awareness of the value of diversity in a pluralistic society, including sensitivity to the positions of minority groups.

While the perpetration of each genocide is unique, there is the possibility for universal learning – modern dictatorships, terrorism, and ideology make future genocide a real possibility. Students, even at a young age can relate to a subject matter that includes themes such as moral dilemmas, obedience to authority, individual responsibility, and family relationships. The experience heightens a student’s sensitivity to suffering and injustice everywhere. Genocide education that addresses global citizenship and human rights “seeks to provide learners with membership in an international community through fostering knowledge and skills” (Bajaj, 2011, p. 489).

Much has been written about the challenges of teaching genocide (Foster, Pearce, & Pettigrew, 2020). The complexity of the subject matter, such as the Holocaust, is daunting. Because of the enormity of the crime, educators must take precautions against overwhelming young people with statistics and imagery; while underplaying the atrocities may minimize the inhumanity (IHRA, 2019). Unfortunately, confounding this challenge is the fact that many teachers are not confident in their knowledge of the Holocaust or comfortable with teaching controversial issues (Lindquist, 2008, 2011; Schwartz, 1990) and textbook content is often insufficient for an event as wide-ranging and complex as the Holocaust. In many cases, educators have relied on survivors, museums, and archives in order to compensate for the lack of classroom resources.

The educational approach for Narrative Art and Visual Storytelling in Holocaust and Human Rights Education involves using the graphic narratives, created with genocide survivors, as the foundation for linguistically, culturally, and educationally contextual teaching materials. This educational program connects with curricular priorities (21st century learning, historical thinking, human rights and global citizenship education), by teaching with testimony and graphic narratives of genocide.

Graphic Narratives in the Classroom

Graphic narratives support the development of students’ critical and media literacy (Boatright, 2010; Hoover, 2012), critical thinking skills that are indispensable to an informed citizen (Seelow, 2010). As well, they encourage students to adopt inquiry habits, such as examining the historical events surrounding a narrative. Close reading is often required, as students have to consider the text as part of the image, the sequencing of the panels, the tension between the images and the text, and the use of gutters (Dunn, 2015, p. 259)

Additionally, reading and writing graphic narratives can be motivating for struggling students and reluctant readers. Developing multimodal literacy skills is a necessity for school and workplace success in the 21st century. The graphic narrative, as opposed to film or academic texts, allows the reader to pause and reflect, or to move backwards and forwards in the text (Hughes, King, Perkins, & Fuke, 2011).

Teaching through Testimony

Testimony interjects personal, palpable emotion into the often clinical telling of history and disrupts the flow of typical historical narratives. These eyewitness accounts give a face and a voice to victims, to which viewers can relate (Bickford, 2008; Felman & Laub, 1992). For example, Holocaust survivor testimony places a face on a massive event and emphasizes the human, relatable stories of real people. It helps students to grasp the reality of an unreal event and history becomes imbued with emotion. Testimonies help to demonstrate the human and personal dimension of history without dramatizing the effects of historical events on survivors.

As a society, we have to prepare ourselves for a time when survivors will no longer be able to visit classrooms or meet with students (Harding, 2014). While it is impossible to replace the influential experience of hearing a Holocaust survivor, the powerful use of testimony can inspire students. A survivor’s testimony is not simply a recollection or story, students become stewards of history – entrusted with the knowledge of someone else’ experience (Simon & Eppert, 1997).

Unlike the collective narrative of a textbook or a fictionalized story, educators and students grapple with the challenges of testimony as a source in history as there is an inherent tension between the intimate, personal narratives and the researched histories written by scholars. Testimony does not offer a completed, totalizing account of events. It is local, individual, and personal (Glejzer & Bernard-Donals, 2001). The deft educator engages learners through testimony and combines students’ emotional responses with historical analysis; helping students develop a rich understanding through the layering of testimony, historical record, and scholarly history.

Connecting with Curriculum: 21st Century Learning

The 21st Century has been described as the knowledge age. In our current, technology enhanced world, communication, and information exchange are rapid. People interact with each other across political, social, and generational lines. Educators are preparing students to meet the demands for citizenship and careers in the millennium through core academic knowledge and complex thinking skills that are required for success in schooling, life, and a career in the 21st century. Many educators acknowledge that we are preparing students for a world that does not yet exist.

Historical Thinking

Teachers are engaging students with historical events in order to develop historical understanding and skills. Through the interrogation of historical accounts, using multiple primary sources, and reconciling different narratives, students are able to construct historical knowledge. If educators provide an unproblematic view of history or social studies education is conceptualized in this way, it serves to preclude critical thinking. The Big Six of Historical Thinking (Seixas, Morton, Colyer, & Fornazzari, 2013) has been hugely influential on Canadian and international Social Studies curricula. Therefore, it behooves us, as educators, to encourage students to engage fully in historical thinking.

Human Rights and Global Citizenship Education

Human rights-based approach to education is a conceptual framework for promoting and protecting human rights (Stavenhagen, 2008). The United Nations Sustainable Development Group (2020) purports that rights based approach promotes social cohesion, integration, & stability; builds respect for peace and non-violent conflict resolution; contributes to positive social transformation; is sustainable; produces better outcomes for economic development; and builds capacity. This approach to education is evident in Canadian Social Studies curricula.

Study of genocide assists students think about the use and abuse of power, and the roles and responsibilities of individuals, organizations, and nations when confronted with human rights violations, while developing an understanding of the ramifications of prejudice, racism, anti-Semitism, and stereotyping in any society. It helps students develop an awareness of the value of diversity in a pluralistic society and encourages sensitivity to the positions of minorities.
This project will create freely available teaching materials designed to support teachers with limited knowledge as well as those who are skilled educators in genocide studies.

If you are interested in participating in a pilot of the educational materials, please contact Dr. Andrea Webb.

Once the materials are created, there will be opportunities for professional development though the work of the project. Working in partnership with organizations such as Yad Vashem (Israel), the Canadian Museum for Human Rights (Winnipeg, Manitoba), and Anne Frank House (the Netherlands) there will be opportunities for educator workshops at domestic and international sites.

Listen to our newest podcast about the role of educational resources in the project.


  • Bajaj, Monisha. (2011). Human rights education: Ideology, location, and approaches. Human Rights Quarterly, 33(2), 481-508. Stable URL:
  • Bickford, D.M. (2008). Using testimonial novels to think about social justice. Education, Citizenship, and Social Justice, 3(2), 131-146. doi: 10.1177/1746197908090078
  • Boatright, Michael D. (2010). Graphic journeys: Graphic novels’ representations of immigrant experiences. Journal of Adolescent & Adult Literacy, 53(6), 468-476. Doi: 10.1598/JAAL.53.6.3
  • Dunn, Kevin C. (2015). Teaching world politics with Joe Sacco: Safe Area Gorazde in the classroom (256-271). In Daniel Worden. (Ed.). The Comics of Joe Sacco: Journalism in a visual world. University Press of Mississippi. Project MUSE –
  • Felman, S. & Laub, D. (1992). Testimony: Crisis of witnessing in literature, psychoanalysis, and history. New York, NY: Routledge.
  • Foster, S., Pearce, A., & Pettigrew, A. (Eds.), 2020. Holocaust education: Contemporary challenges and controversies. London, UCL Press. https:// 10.14324/ 111.9781787355699
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  • Harding, T. 2014. ‘Teaching the Holocaust in the “Post- Survivor Era” ’, Huffington Post, 26 January.
  • Hughes, J.M., King, A., Perkins, P., & Fuke, V. (2011). Adolescents and ‘autographics’: Reading and writing coming-of-age graphic novels. Journal of Adolescent & Adult Literacy, 54(8), 601-612. Doi: 10.1598/JAAL.54.8.5
  • Hoover, S. (2012). The case for graphic novels. Communications in Information Literacy, 5(2), 174-186.
  • International Holocaust Remembrance Alliance. (2019). Recommendations for teaching and learning about the Holocaust.
  • Lindquist, D.H. (2011). Instructional approaches in teaching the Holocaust. American Secondary Education, 39(3), 117-128.
  • Lindquist, D.H. (2008). Developing Holocaust curricula: The content decision-making process. The Clearing House, 82(1), 27-33.
  • Schwartz, D. (1990). “Who will tell them after we’re gone?”: reflections on teaching the Holocaust. The History Teacher, 23(2), 95-110.
  • Seelow, David. (2010). The graphic novel as advanced literacy tool. Journal of Media Literacy Education, 2(1), 57-64.
  • Seixas, P., Morton, T., Colyer, J., & Fornazzari, S. (2013). The big six: Historical thinking concepts. Nelson Education.
  • Simon, R.I. & Eppert, C. (1997). Remembering obligation: Pedagogy and the witnessing of testimony of historical trauma. Canadian Journal of Education, 22(2), 175-191. DOI: 10.2307/1585906
  • Stavenhagen, Rodolfo. (2008). Building intercultural citizenship through education: A human rights approach. European Journal of Education, 43(2), 161-179. 10.1111/j.1465-3435.2008.00345.x
  • United Nations Sustainable Development Group. (2020). 2030 Agenda: Universal values – Human rights based approach. Available